Memoirs in which trauma takes a major―or the major―role challenge the limits of autobiography. Leigh Gilmore presents a series of "limit-cases"―texts that combine elements of autobiography, fiction, biography, history, and theory while representing trauma and the self―and demonstrates how and why their authors swerve from the formal constraints of autobiography when the representation of trauma coincides with self-representation. Gilmore maintains that conflicting demands on both the self and narrative may prompt formal experimentation by such writers and lead to texts that are not, strictly speaking, autobiography, but are nonetheless deeply engaged with its central concerns.In.
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